Posts Tagged ‘andrew garfield’


Golden Globes Round-Up, Spider-Man in Costume, Zoolander 2, and more!

January 19th, 2011 | by Marlow Stern | 3 Comments »


It was a relatively uneventful Golden Globes when it came to the award winners – all

On this discontinued

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the favorites (“The Social Network,” Firth, Portman, Bening, Bale, Leo) won. The big surprises came courtesy of host, the British comedian Ricky Gervais (“The Office,” “Extras”). His cringe-inducing monologue – where he rips on “The Tourist,” Hugh Hefner’s penis, HFPA bribes, and a certain closeted Scientologist – was truly a thing of beauty, even if the Hollywood Foreign Press Association brass were less than thrilled by the proceedings. HFPA execs can breathe easily, Gervais won’t be back next year to host, and many of the celebs appear to have approved of Gervais’ jokes:

The only other real highlight – or lowlight – was Natalie Portman’s maniacal laugh after cracking

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and ZOOLANDER 2 waiting for the go-ahead, Ben Stiller told Empire, offering a few plot details. The project reunites Derek and Hansel (Stiller and Owen Wilson) ten years later with a story set primarily in Europe. “Their lives have changed and they’re not really relevant anymore,” Stiller said, “It’s a new world for them.” Stiller also confirmed that Will Ferrell will return as Mugatu, stating that the character has an “integral part” in the screenplay. “Will Ferrell is written into the script and he’s expressed interest in doing it,” he explained, “…he features in a big way.”




Heat Vision is reporting the trade has learned who Christopher Nolan is looking at for the female role in THE DARK KNIGHT RISES. Keira Knightley, Anne Hathaway and Jessica Biel are due to test for roles in the Warner Bros. superhero tentpole in the next two weeks. Also testing are relative newcomers Kate Mara and Charlotte Riley (fiancée

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Twentieth Century Fox announced that Ridley Scott will direct PROMETHEUS, a sci-fi epic for worldwide release on March 9, 2012. Damon Lindelof (“Lost,” “Star Trek”) and Scott

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the five major roles to be cast, Noomi Rapace (“The Girl With a Dragon Tattoo”) is the first actor signed to star in the film.

The next film from writer-director Judd Apatow will be a sequel of sorts to his film, “Knocked Up.” The untitled project will bring back Pete and Debbie, the unhappily married couple played by Paul Rudd and Leslie Mann in “Knocked Up,” according to The Huffington Post. “It is just a story from Pete and Debbie’s current life,” said Apatow. “People really responded to their characters and problems. I felt like there was a lot of ground I could explore with them, so we’ll be shooting in July and will come out the following June. There are some fun details yet to reveal but I will let them come out slowly.”

Not only will Elijah Wood (‘Frodo’) and Andy Serkis (‘Gollum’) return to “Lord of the Rings” prequel THE HOBBIT, but now comes word from The Hollywood Reporter that Ian McKellen (‘Gandalf’) has signed on for the two-film adaptation as well. With McKellen aboard, news of Christopher Lee

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and Ian Holm signing on to reprise their parts as Saruman and an older Bilbo Baggins, respectively, is expected to follow.

The Hollywood Reporter says that Adam Sandler and Andy Samberg are in talks to star in I HATE YOU DAD, a comedy at Columbia Pictures that Sandler’s Happy Madison banner is producing. According to the trade, the “story centers on a father who moves in on the eve of his son’s wedding and promptly begins feuding with the bride-to-be. Sandler would play the dad, with Samberg as the son, even though less than 12 years separate the two in real life.” The film was written by David Caspe with a rewrite by David Wain and Ken Marino (“Role

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Sounds like Oscar bait. Accoring to a press release from RKO Pictures, Philip Seymour Hoffman, Catherine Keener, Jeremy Northam, and Christopher Walken have joined the cast of A LATE QUARTET, the upcoming indie feature from first-time writer/director Yaron Zilberman. Principal photography is scheduled to begin late January 2011 in New York City. Hoffman, Keener, Northam and Walken play a world-renowned string quartet struggling to stay together as they mark their 25th anniversary in the face of illness, competing egos and insuppressible lust.

Ed Westwick (“Gossip Girl”) has been cast in the Clint Eastwood-directed drama J. EDGAR, while Charlize Theron won’t be playing Helen Gandy as was previously reported. Deadline says that Eastwood is now looking at Naomi Watts and Amy Adams as possible replacements for the Gandy role. Westwick is joining Leonardo DiCaprio, Armie Hammer and Judi Dench in the film about controversial FBI director J. Edgar Hoover…

…Until next time!

MMM’s Oscar Picks, Hot New Trailers, and More!

December 28th, 2010 | by Marlow Stern | No Comments »


According to The Hollywood Reporter, best-selling author Dan Brown will be handling script rewrites on adapting his third novel featuring symbologist Dr. Robert Langdon, THE LOST SYMBOL, to the screen for Columbia Pictures. The story involves Langdon traveling to the Capitol Building in Washington, D.C., where he gets involved with a mystery involving the Freemasons and their search for an ancient pyramid containing vast knowledge. When the book was published in 2009, it sold a million copies in its

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first day. While the previous two movies – “The Da Vinci Code” and “Angels & Demons” – starred Tom Hanks and were directed by Ron Howard, both have yet to commit to the third installment.


The Associated Press is reporting that award-winning Chinese filmmaker Zhang Yimou (“Hero”) is starting his next film, NANJING HEROES, in January with actor Christian Bale starring as a priest caught up in the brutal 1937 invasion and pillaging of the Chinese capitol by Japanese troops. Based on Chinese author Yan Geling’s novel “The 13 Women of Nanjing,” about 13 prostitutes who stepped in for female university students who were to be taken as “escorts” for the troops during the period when nearly

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20,000 women and girls were raped and killed by the Japanese troops, Bale’s Catholic priest shelters a group of prostitutes and female students during the invasion. The $90 million production, one of the most expensive in Chinese history, will mix Chinese and English, and is set for release in December 2011.

Gemma Arterton (“Clash of the Titans”) let slip to Total Film that she will star in Michael Mann’s Robert Capa biopic, CAPA, alongside Andrew Garfield (“The Social Network”). She said she’s “aiming for even more diversity. Capa [biopic about the combat photographer Robert Capa] is confirmed, so I should be working with your hottest actor, Andy Garfield!” Arterton would play Capa’s partner, Gerda Taro, but it is not confirmed yet that “Spider-Man” star Andrew Garfield is on board to play Capa. Mann’s project at Sony will concentrate on Capa’s torrid two-year romance with fellow photographer Taro during the Spanish Civil War.


The Social Network
Toy Story 3
Black Swan
True Grit
127 Hours
The Kids Are All Right
Winter’s Bone
A Prophet

Colin Firth, “The King’s Speech”
James Franco, “127 Hours”
Jesse Eisenberg, “The Social

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Tahar Rahim, “A Prophet”

Jennifer Lawrence, “Winter’s Bone”
Annette Bening, “The Kids Are All Right”
Natalie Portman, “Black Swan”
Carey Mulligan, “Never

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Emma Stone, “Easy A”

Christian Bale, “The Fighter”
Geoffrey Rush, “The King’s Speech”
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“The Social Network”
John Hawkes, “Winter’s Bone”
Jeremy Renner, “The Town”

Jacki Weaver, “Animal Kingdom”
Elle Fanning, “Somewhere”
Rebecca Hall, “Please Give”
Hailee Steinfeld, “True Grit”
Melissa Leo, “The Fighter”

Darren Aronofsky, “Black Swan”
Jacques Audiard, “A Prophet”
David Fincher, “The Social Network”
Lee Unkrich, “Toy Story 3”
Christopher Nolan, “Inception”

“127 Hours” – Simon Beaufoy, Danny Boyle
“The Social Network” – Aaron Sorkin
“Toy Story 3” – Michael Arndt
“True Grit” – Ethan Coen, Joel Coen
“Winter’s Bone” – Debra Granik, Anne Rosellini, Daniel Woodrell


“Inception,” Christopher Nolan

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“Inside Job”
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“Toy Story 3”
“How To Train Your Dragon”
“The Illusionist”


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…Happy Blizzard!

Two film stars pass on, Batman 3, Superman, Spider-Man news, and much more.

October 5th, 2010 | by Marlow Stern | 4 Comments »


Oscar-nominated Tony Curtis died at his home in Henderson, Nevada on Wednesday evening from cardiac arrest at the age of 85, reports ABC News. Curtis, who starred in movies ranging from epics like “Spartacus” to screwball comedies like “Some Like It Hot,” passed away peacefully at midnight ET while laying in bed next to his wife. He was a major box office draw in the 1950s and 1960s, highlighted by his 1957 turn in “The Sweet Smell of Success” opposite Burt Lancaster and earned an Oscar nomination for “The Defiant Ones.” Curtis had six wives. One of his two children with Janet Leigh, his first wife, is actress Jamie Lee Curtis. Born Bernard Schwartz on June 3, 1925 in the Bronx, Curtis joined the Marines in World War II. He took the name Tony Curtis when he began his film career in 1949.


Sad news. Quentin Tarantino’s longtime film editor Sally Menke was found dead by searchers in Beachwood Canyon, Los Angeles, according to the Los Angeles Times. Menke, 56, received Oscar nominations for “Inglourious Basterds” and “Pulp Fiction.” She edited every single Tarantino film. The Los Angeles Times says that Menke had gone hiking in the morning, and her friends alerted police after she failed to come home. No cause of death was immediately reported, and it’s unclear whether Los Angeles’ record heat was a factor. Watch Tarantino talk about Menke below as well as the shoutouts to Sally that were done by the cast and crew of Tarantino’s Death Proof and Inglourious Basterds.


Ha. Despite the Oscar buzz for his upcoming role in Danny “Slumdog Millionaire” Boyle’s trapped-hiker flick 127 HOURS, Franco did, in fact, get a ‘D’ in NYU acting class. “I did the work and I did well in everything else,” he confesses to Showbiz 411’s Roger Friedman.


Lucasfilm Ltd. announced today that the live-action STAR WARS saga will be converted to 3D. “There are few movies that lend themselves more perfectly to 3D; from the Death Star trench run to the Tatooine Podrace, the ‘Star Wars Saga’ has always delivered an entertainment experience that is completely immersive,” said the statement. Presented by Twentieth Century Fox and Lucasfilm Ltd., the “cutting edge conversion” will be supervised by Industrial Light & Magic. “Star Wars: Episode I The Phantom Menace” is expected to be released theatrically in 2012. A release date has not yet been determined.

AMC Theaters is celebrating the 25th anniversary of BACK TO THE FUTURE by holding two special screenings of the digitally remastered original on 158 screens across 40 cities. The screenings will be held Saturday, October 23rd at 12:30 p.m. and Monday, October 25th at 7:00 p.m. (the night Marty McFly went back in time). All guests will receive a full-sized poster commemorating the 25th anniversary limited release of the movie with their ticket purchase, while supplies last. Each theater will also have special movie-related giveaways prior to the movie as a part of the experience. Read more HERE.


Zack Snyder (“Watchmen,” “300”) has been officially confirmed as the director of the upcoming SUPERMAN reboot, reports Deadline. The film will move forward with a script from David Goyer and Jonathan Nolan. Christopher Nolan will “godfather” the production, aiming for a late 2012 release. “I’ve been a big fan of the character for a long time, he’s definitely the king of all superheroes, he’s the one,” said Synyder. “It’s early yet, but I can tell you that what David [Goyer] and Chris [Nolan] have done with the story so far definitely has given me a great insight into a way to make him feel modern. I’ve always felt he was kind of awesome. I’ll finish ‘Sucker Punch’ and get right at it.”

Sir Michael Caine appeared on BBC Radio 1’s “The Chris Moyles Show” on Wednesday to promote his autobiography “The Elephant to Hollywood” and talk turned to director Christopher Nolan’s third BATMAN movie. He said the movie will “probably start in May next year…” Asked if he will be part of the cast, he said, “I assume I’m there. In the movie business, you never believe anything, you assume.” He added that Chris and co-writer Jonathan Nolan are not telling anyone who the villain will be in the new film. In related news, Chris Nolan confirmed to Empire that he is indeed directing, in case you had any doubts. Warner Bros. Pictures is targeting a July 20, 2012 release date for the film.

Excellent! Following a whole mess of rumors, MTV has officially confirmed that a third BILL & TED’S EXCELLENT ADVENTURE film is in the early planning stages with word from one of the original film’s stars, Alex Winter (Bill). “[W]e have finally hit upon an idea that we think is pretty great,” said Winter, who also revealed that original writers Chris Matheson and Ed Solomon are currently working on the screenplay. Recently, Keanu Reeves revealed that, while he is not currently attached to the potential sequel, he’s all for the possibility of returning to the character. On the subject of Keanu, the amazing folks over at Vulture broke the news about the hilarious ‘sad Keanu’ meme to him, and he took it in stride.

Some details have been revealed regarding the Wachowskis’ (“The Matrix” films) next project, COBALT NEURAL 9, courtesy of Vulture. As was previously reported, the film takes place in the near future and deals with a homosexual relationship between a U.S. soldier and an Iraqi. Said to be shot in a Cinéma vérité style, Vulture suggests that much of the film is told through artificial news reports viewed from a narrative point a hundred years in the future. The American character is Butch, a marine who, after falling in love with the Iraqi character, conspires with him to assassinate President George W. Bush. The framework of the film, then, falls in both the future and the recent past, though apparently within an altered history. The odd title apparently has no meaning other than to derail script leaks.

20th Century Fox has acquired the film rights for the adaptation of Seth Grahame-Smith’s ABRAHAM LINCOLN: VAMPIRE HUNTER, to be directed by Timur Bekmambetov and produced by Tim Burton, according to Variety. The script for the 3D project was written by Grahame-Smith. The studio is planning a 2012 release. The following is how publisher Grand Central Publishing describes the book:

Indiana, 1818. Moonlight falls through the dense woods that surround a one-room cabin, where a nine-year-old Abraham Lincoln kneels at his suffering mother’s bedside. She’s been stricken with something the old-timers call “Milk Sickness.”

“My baby boy…” she whispers before dying.

Only later will the grieving Abe learn that his mother’s fatal affliction was actually the work of a vampire.

Lionsgate previously picked up the film rights to the author’s PRIDE AND PREJUDICE AND ZOMBIES, which Natalie Portman is attached to star in.


“Easy A” star Emma Stone will be offered the role of Mary Jane Watson in the upcoming SPIDER-MAN franchise reboot, according to Deadline. “500 Days of Summer” director Marc Webb’s Spider-Man movie will allegedly follow the comics more closely, introducing Gwen Stacey as Peter Parker’s initial love interest, with Stone’s Mary Jane Watson closing in on his heart later in the series. Andrew Garfield, who has earned raves for his portrayal of wronged Facebook co-founder Eduardo Saverin in “The Social Network,” will play the webbed crusader.

Jodie Foster will star opposite Kate Winslet, Christoph Waltz, and Matt Dillon in Roman Polanski’s adaptation of the award-winning Broadway play GOD OF CARNAGE, according to Deadline. The movie starts filming in Paris in February, and concerns two pairs of families who must meet after one of the parents’ children is accused of bullying the other (chaos, of course, ensues). The Broadway play starred James Gandolfini, Marcia Gay Harden, Jeff Daniels, and Hope Davis.

Emma Thompson is confirmed for a role in MEN IN BLACK III. Thompson will play Oh, the head of MiB. It is unclear whether her character will serve as a replacement for Rip Torn’s Zed, who appeared in “Men in Black” and “Men in Black II.” Recent legal issues may prevent Torn from returning to the franchise. Thompson would be joining previously-announced cast members Will Smith, Tommy Lee Jones, Josh Brolin and Jemaine Clement. Men in Black III is expected to go into production shortly with a script from Etan Cohen and David Koepp. Barry Sonnenfeld will return to the franchise as director. The film is being planned for release on May 25th, 2012.


TRUE GRIT: The Coen Brothers remake of the John Wayne-starring 1969 classic, with Jeff Bridges assuming the Wayne role. Amazing.

THE KING’S SPEECH: Directed by Tom Hooper (“The Damned United”), the Oscar frontrunner is based on the true story of the Queen of England’s father and his remarkable friendship with maverick Australian speech therapist Lionel Logue. The King’s Speech stars Academy Award nominee Colin Firth as King George VI, who unexpectedly becomes King when his brother Edward abdicates the throne. Academy Award Winner Geoffrey Rush stars as Logue, the man who helps the King find a voice with which to lead the nation into war. The cast also includes Helena Bonham Carter as Queen Elizabeth the Queen Mother, Guy Pearce, Derek Jacobi, Timothy Spall and Michael Gambon. The King’s Speech opens in theaters on November 24.


Go. See. The Social Network. It’s the best. Movie. Of. The. Year. Hell, even the Facebook employees took a company outing to see the movie.

…Until next week!

NYFF ’10: The Makers and Stars of The Social Network

October 1st, 2010 | by Marlow Stern | No Comments »

“You don’t get to 500 million friends without making a few enemies” reads the film’s tagline. Based on what we’ll call a fact-based novel, “The Accidental Billionaires” by Ben Mezrich – which used recreated scenes and dialogue to tell the story of the founding of social networking website Facebook by a handful of Harvard students – THE SOCIAL NETWORK was initially mocked by Internet pundits when the screenplay leaked July of last year. They’re not laughing now. Using his trademark dim, yellow/green/black-tinted color palette, director David Fincher (“Fight Club,” “Zodiac”) has brought screenwriter Aaron Sorkin’s (“The West Wing”) robust, 162-page script to the big screen in a brisk two hours.

The Social Network stars Jesse Eisenberg as Mark Zuckerberg, the young man who founded Facebook at the age of 19 when he was a sophomore at Harvard with the help of some seed money from classmate Eduardo Saverin, played by Andrew Garfield. The company soon eyes expansion, and enlists the aid of Napster co-founder Sean Parker (Justin Timberlake). This new partnership threatens Saverin’s stake in the company. Meanwhile, Zuckerberg is being sued for intellectual property theft from the inventors of HarvardConnection (later ConnectU) – blue blood rowing twins Cameron and Tyler Winklevoss (both played by Armie Hammer), and Divya Narenda (Max Minghella).

Today, Facebook has been valued at $23 billion, and Zuckerberg, with an estimated fortune of $6.9 billion, is the king of Silicon Valley whose fortune is vaster than even that of Apple’s Steve Jobs.

Many questions have been raised about the film’s accuracy, and the movie’s makers and stars addressed those and other questions at the film’s premiere during the 2010 New York Film Festival at Manhattan’s Lincoln Center. What people haven’t questioned, however, is how good the film is. See what the people behind The Social Network had to say about the best-reviewed film of the year.

MANHATTAN MOVIE MAGAZINE: Aaron, I think you’ve expressed your distaste for the electronic communication world. What is it that made you overcome that and made you want to write this script?

AARON SORKIN: My feelings about the internet are actually irrelevant to anybody’s enjoyment of the movie. But what made me overcome it was that I didn’t think it was as movie about Facebook, really. I thought it was a movie that has themes as old as storytelling itself – of friendship and loyalty and class, jealously, power, these things that Aeschylus would write about or Shakespeare would write about. Luckily for me none of those people were available so I got to write about it. And David really agreed, and you should talk about it.

DAVID FINCHER: Obviously, there was a lot of internet chatter when it was announced that we were going to make this movie. I think people thought we were making a sequel to “The Net,” or we were trying to do some kind of fad hopping. But I really didn’t know anything about the origins of Facebook; I just had a dry-read of a script that had a bunch of people in it that I felt I knew and knew intimately and could relate to and empathize with. I thought it was a lovely, wonderful, two hours.

MMM: Aaron, how long did it take you to figure out where to begin the film?

SORKIN: Once I had Mark’s blog, which you see in the movie and which is pretty much verbatim, I made it a little bit shorter but it was clear that he’d just gotten his heart broken by a girl and that this was going to be a night of drinking and blogging and this revenge stunt Facemash. I knew that I wanted to see him get his heart broken by a girl, that I wanted to see that scene, but since he brought up that it was nine pages, that it’s two people sitting in a bar. David, what he’s most known for is being peerless as a visual director. So intuitively this is an unusual marriage of director and material because I write people talking in rooms. And you would think that the director would come along and say “Listen, I just don’t know what I’m going to point the camera at. I can’t begin a movie like this with a nine page scene and two people talking at a table.”

FINCHER: It’s a good scene. There’s no problem in sublimating your desire to show off if what you’re presenting is something that you think is what it’s going to take to kind of steep the audience. Originally when the script began it was in black and you hear the voices over black, and I kind of wondered why don’t we just see the Columbia logo and start hearing them then and hear the jukebox and hear all the people talking, and let people know pin your ears back man, you’ve got to pay attention. I just felt that the scene teed up exactly who this guy was, exactly what the stakes were, exactly what the world was, and it taught you how to watch the movie. And also, when Aaron read it, it was four and half minutes. It was nine pages in four and a half minutes, so the whole thing was let’s get everybody used to the idea of nine pages in four and a half minutes.

MMM: I’d like to ask Jessie, Andrew, and Justin if your approach to the role involved much actual research into the people you were playing, or whether you took more of your inspiration just from what was in the script.

JESSE EISENBERG: I did a lot of research during the rehearsal process but if I didn’t and only had Aaron’s script that would have been perfectly sufficient. I auditioned for the movie prior to looking up Mark Zuckerberg online. I didn’t know what he looked like, I had never heard him speak, and all I had was Aaron’s incredible characterization and felt that was more that sufficient to make the audition tape. Then we had about a month and a half of rehearsal and in order to feel more prepared and to understand who this guy was I found every interview and watched every interview that was online and got every picture that I could find of him. But really, as Aaron said, it was not really a movie about Facebook as much as it is about these more substantive themes. And in the same way it was not traditional biography picture, we were trying to do kind of an imitation of the character of Mark Zuckerberg, and so I was really just focusing on playing Aaron’s characterization.

ANDREW GARFIELD: I think Jesse put it very well, I don’t know how much I have to add to that outside my own personal experience, which is that I had a photo to go from. But that was great in its own way because I could just invent something from inspiration, and I immediately saw that he, maybe this is my own projection, but he seemed very warm but kind of reserved. I kind of had minimal to go from which was actually quite liberating, even though I did try to find him in a very obtuse and uncommitted way. But it would have been really interesting because of course when you’re playing someone who exists and is living and breathing somewhere you kind of feel a massive sense of responsibility to not ruin them on screen because we’re all human and when you have empathy for other humans then it’s difficult to do that.

JUSTIN TIMBERLAKE: I also have empathy for human beings, thank you. I think there was kind of a collective movement with Jesse and Andrew and myself that we all felt like so much of the information we needed was there on the paper, and then moving into the wonderful mind of David to find out exactly where this film was going to go. But I think just for playing my character I actually stayed as far away from anything on the internet that I could. You meet my character when he meets Facebook pretty much, so I wanted to be excited by that.

FINCHER: We had conversations about how it’s a biopic. A biopic is essentially there to tell you why somebody did what they did, and I wasn’t interested in that at all. I was interested in what they did, and because we saw it from the multiple points of view and all of those points of view of course were polarized by intense litigation I don’t know whether Eduardo was Mark’s best friend. I know the lawyer stated that he was his best friend and I know that Mark stated the exact opposite. So we had to find kind of a happy medium in there where both of them could walk away from the scenes that we see them in and one could righteously say “I was your best friend,” and the other one could look and be aghast by that. I wanted to stay away from mimicry. We cast the actors that we cast because of what they brought to it and we wanted to unleash them with as much freedom to make each of the parts of the movie, the story that they were supporting as human as possible, and give them the leeway to be human and not to trap them with “Well he normally starts with his left foot.”

MMM: What were the challenges of playing characters people may think are big assholes?

EISENBERG: It’s impossible to play a role and to look at it, not only in the way that you described it, but look at it objectively at all. I had the unique position in that my main responsibility was to not only understand where my character was coming from but to be able to defend all of his positions, his behavior, and ultimately sympathize with him. And over the course of the movie and really over the course of this publicity experience I’ve developed an even greater affection for my character. You have no choice; it’s impossible to disagree with the character that you’re portraying. We shot the movie for about five and a half months, they were very long days, and you’re spending a lot of time working hard to defend your character’s behavior. So even if the character is acting in a way that hurts other characters you still have to understand and ultimately sympathize with all of that behavior; it’s just impossible to play it any other way.

FINCHER: The character is an asshole is such a reductive, overly simplistic way. I have no problem saying that I think Eduardo Saverin had a fairly good imagination, and I think at some point there is going to be a fork in the road for those two guys and I don’t think that Sean Parker was overly Machiavellian. I think that what he’s saying, how he presents himself, is perfectly reasonable. As somebody who’s been through it, who has had a Napster and lost a Napster, here’s a guy who’s saying, “This is the big leagues. And it’s great that you have friends from your dorm, and it’s great that you have college buddies, and it’s great that you have somebody you can turn to and borrow $19,000. But this is the fucking bigs, and you have to now realize that if you want to protect what it is that you invested so long and so much of your energy; if you want to protect that you’ve got to have the support of people who know what they’re doing who can navigate these waters.” I think what Mark Zuckerberg said was probably: “I am up to my eyeballs trying to figure out how to make this thing work and how to get it on 60 million laptops. How do I do that?” And a bunch of guys came to him and said, “Hey, your buddy who put up $19,000, he can own 30% of something that’s worth a million dollars, or he can own .03% of something that’s worth $10 billion. Do him a favor.”

MMM: I was just wondering if any of you maintain personal Facebook pages and if so how addicted to them are you?

SORKIN: I put up a Facebook page the day that I signed up for the movie. I didn’t have one before; honestly I didn’t know much about Facebook. I’d heard of Facebook the way I’ve heard of a carburetor, but I can’t pop the hood of my car, point to it, and tell you what it does. So the first thing I did was start a Facebook account. I kept it up all during research, during writing, during photography, and then took it down.

EISENBERG: I had a similar experience. I signed up for Facebook the first day of rehearsal so I could understand what my character was talking about, and when we started shooting and I had to learn all those lines I stopped using it.

FINCHER: I’ve seen it over someone’s shoulder. No, I don’t have Facebook.

GARFIELD: I was your usual, general kind of Facebook user, I’m sad to admit, and I’ve been three months clean. I’m proud of myself too. But now I don’t use it because it was just negative for me, like it is for most people.

TIMBERLAKE: I don’t have a personal Facebook page, but it is nice to know that you through the world of philanthropy, for instance, that you can send out a message and, for instance, raise money for free health care for kids. But no, I don’t have a personal Facebook page. It’s hard enough to do voice work in animated films, so I took a double-duty of it all and I just didn’t have time to look at pictures of my friends. [Laughs]

MMM: I have a question for Mr. Eisenberg. A lot of people in the tech community comment on Zuckerberg’s personality as being somewhat of an Asperger’s personality, where he’s very not touching, very emotionally muted. Was that a part of your thought process in your portrayal of Mark?

EISENBERG: I certainly don’t want to diagnose him but in Aaron’s script and then also in watching these interviews there’s a certain kind of disengagement that you see. It’s frankly not dissimilar to some disengagement that I probably express when I’m doing interviews because they can be incredibly uncomfortable, so to kind of attribute it to some extreme diagnosis doesn’t feel right to me. But there was a really interesting quality that I wanted to bring out, which is this difficulty connecting to others. It makes the character far more interesting to play, that he has trouble connecting with others and yet feels particularly comfortable connecting everybody else, and perfectly comfortable in the social environment of Facebook. And it was also something to make me feel the character was really a full person, so even though he maybe appears enigmatically or reserved or detached, there’s still something happening beneath that. At the end of the movie he’s a billionaire and he’s created something really out of nothing almost by himself and he feels still alone.

MMM: Did you guys encounter any problems from Facebook the company and Zuckerberg?

FINCHER: I know that Scott Rudin had conversations with Facebook, I know that Aaron, you were privy to…

SORKIN: Yeah we, we being [producer] Scott Rudin and me, aggressively courted Facebook’s and Mark’s cooperation in the film. Mark would end up doing exactly what I would have done, which was decline, but we also told them at the time that whether they participated or not we would show them the script when the script was done and we would welcome any notes that they had. So we did give them the script, and their notes largely had to do with hacking. There was a little bit of hacking terminology that I’d gotten wrong, unsurprisingly. I know that there was a rumor a day or two ago that Mark had been spotted at a screening; I doubt it. I don’t think there are any of us who would want a movie made out of the things we did when we were 19 years old. If Mark is going through an uncomfortable moment, that doesn’t give me any joy at all. So, I understand. I doubt he’s going to be first in line next Friday to buy a ticket.

MMM: A lot’s been made of the embellishment and sexualization of certain scenes in this film. Can you talk about what scenes in particular were very embellished?

SORKIN: None, and I don’t know where this is coming from. I’m not going to sell any tickets by making this statement, but I have to tell you that there is less sex in this movie than there is in any two minutes of “Gossip Girl.” Nothing in the movie was invented for the sake of Hollywoodizing it or sensationalizing it. As I explained, because of the three different versions of the story that were given not just in the deposition rooms, but there was a lot of first-person research that I did with people who are characters in the movie and people who were close to the event, most of whom were speaking to me on the condition of anonymity. And there were a lot of conflicting takes so there are going to be a lot of people saying that’s not true, that didn’t happen, just as they’ve been saying since 2003. The work that I did is exactly the same as the work that any screenwriter does on any nonfiction film. When Peter Morgan writes “The Queen” he’s going from fact to fact to fact, but Peter Morgan wasn’t in Queen Elizabeth’s bedroom when she was talking to her husband about their daughter-in-law. Moreover, and more important, people don’t speak in dialog and life doesn’t play out in scenes. There’s work that the dramatist does, but nothing was invented, certainly nothing was sexualized in order to amp up the temperature on the movie.

MMM: Even the early Harvard final club party scenes that depict girls making out with each other and dancing on tables half-naked?

SORKIN: Even the Harvard Club scenes. That is based on descriptions of parties given to me by members who have been at these parties. Those beginning of the year parties, the bus that brings girls to the parties, what goes on at those parties, but that particular scene again is an example of is that scene really happening or is that the party that Mark’s imagining in his head that he can’t be at? That kind of thing. But really, this is a nonfiction story.

FINCHER: You have to keep in mind that there is a point of view; there is a perspective. Certainly we did a lot of research and we had stories told to us that were far worse, far more salacious, far more demeaning to the participants than the stuff that we chose to actually show, and we had to temper it. We were trying to tell a story about somebody who is sitting at home doing something and going “Everybody else is having far more fun than I am,” and that’s the narrative purpose of it.

MMM: Mr. Fincher, a lot of the early word about this is saying that this is a departure for you and I’m curious what you think about that.

FINCHER: Because it doesn’t involve somebody aging backwards or because it doesn’t involve serial killers? [Laughs] You read scripts that you want to see the movie of and then you beg to be involved, and this was one of those. I know now and I felt it when I was shooting it that I was going to be able to make something that I could look back on 10 or 12 years from now and say, “I got to work with all these guys right as it happened. Right as they kind of coalesced.” It was a great opportunity to work with a lot of people who came to play, and it was an ensemble movie that was going to live and die by quality of whether or not you believed the behaviors of the people who were gifted this man’s words. And every day of the 72 days that I was lucky enough to be able to shoot this movie I got to walk away from it saying, “He’s good. That’s going to work. That looks like a marriage coming apart.” So I feel about it like would I have loved to have made “American Graffiti?” Now in its own weird way I’ve been able to. I got to do something where I got to look at nine people across the screen and there was a moment in time when they were all in the same movie.

THE SOCIAL NETWORK is in theaters nationwide.

Andrew Garfield is your friendly, neighborhood Spider-Man! And much more…

July 7th, 2010 | by Marlow Stern | 11 Comments »


Sony Pictures has officially announced that Andrew Garfield has landed the role of Peter Parker/Spider-Man in director Marc Webb’s Untitled Spider-Man Film! The film focuses on a teenager grappling with both contemporary human problems and amazing super-human crises. The action adventure will open in 3D and 2D theaters on July 3, 2012.

Here’s the official press release followed by an announcement photo:

After a comprehensive worldwide casting search, Andrew Garfield has been chosen to portray Peter Parker when Spider-Man swings back onto the screen in 3D on July 3, 2012. The new film will begin production in early December directed by Marc Webb from a screenplay by James Vanderbilt. Laura Ziskin and Avi Arad will produce the film from Columbia Pictures and Marvel Studios… On selecting Garfield, director Marc Webb said, “Though his name may be new to many, those who know this young actor’s work understand his extraordinary talents. He has a rare combination of intelligence, wit, and humanity. Mark my words, you will love Andrew Garfield as Peter Parker”… Garfield most recently worked with director David Fincher on the upcoming film The Social Network. He previously starred for Spike Jonze on his robot love story I’m Here, which premiered at Sundance this year. He plays the lead male opposite Keira Knightley and Carey Mulligan in Mark Romanek’s Never Let Me Go, due for release later this year. Other notable screen credits include Terry Gilliam’s The Imaginarium of Dr Parnassus playing opposite Christopher Plummer, Johnny Depp, Colin Farrell, Jude Law and the late Heath Ledger, Robert Redford’s Lions For Lambs, where he starred alongside Redford, Tom Cruise and Meryl Streep; Revolution Films’ “Red Riding Trilogy – 1974” directed by Julian Jarrold, where he lead a stellar cast including Rebecca Hall and David Morrissey, and his unforgettable portrayal of a young ex-con in John Crowley’s “Boy A,” for which he earned the best actor BAFTA in 2008…


Judd Apatow will be producing a new PEE-WEE HERMAN film, reports Variety. The script, currently in development, is being written by Paul Reubens (who plays Pee-wee) and fellow actor/writer Paul Rust. No director is currently named, but it is suggested that the job will not go to Apatow himself…

Heat Vision is reporting that Warner Bros. Pictures has hired “Cloudy with a Chance of Meatballs” helmers Phil Lord and Chris Miller to write and direct the LEGO movie. Based on the popular building blocks, the movie will mix live action and animation. The studio is keeping the plot tightly under wraps, but it’s described as an action adventure set in a LEGO world. Lord and Miller are currently developing the 21 JUMP STREET movie and plan on doing LEGO after that…


Meryl Streep is being eyed for the in the lead role of THE IRON LADY, a biopic about the life of the British Prime Minister Margaret Thatcher, says The Hollywood Reporter. The film would reunite Streep with director Phyllida Lloyd, who previously directed Streep in 2008’s Mamma Mia! The article also notes that Jim Broadbent is likely to play the role of Thatcher’s husband, Denis. The film would examine the life of the prominent political figure over a brief period of time, in this case the 17 days in 1982 leading to the Falklands War when conflict broke out between Argentina and the United Kingdom over the island chain…

Virginia Madsen has joined the cast of Warner Bros.’ RED RIDING HOOD as the mother of Amanda Seyfried’s character, reports Variety. She joins a cast that includes Shiloh Fernandez, Max Irons, Julie Christie, Gary Oldman and Lukas Haas. Directed by Catherine Hardwicke (Twilight), the movie is scheduled for a March 11, 2011 release. The film is a gothic horror re-imagining of the Little Red Riding Hood fairy tale. Seyfried will play a woman in a medieval village being terrorized by a werewolf…


Netflix, Inc. and Relativity Media, LLC announced a long term agreement through which major theatrically released films owned by Relativity will be licensed directly and exclusively to Netflix for streaming to its subscribers during the “pay TV window.” Traditionally, these films have flowed through Relativity’s studio releasing partners to output deals with premium TV channels. Under the agreement, an increasing amount of popular contemporary movies previously encumbered by pay TV agreements with premium channels such as HBO, Showtime and Starz will become available to be streamed from Netflix months – and not years – after their release on DVD. It will be the first time that studio quality theatrical feature films will be streamed via subscription by Netflix instead of being broadcast by the traditional pay providers, and it opens up a new revenue stream for such movies…

Earlier this year, James Cameron mentioned that they were targeting a spring 2012 release for the 3D version of Titanic. Now we have a more specific month. It looks like Cameron talked about the 3D release at the 100th birthday party for Gloria Stuart, who played the older Rose in the film. While it’s not a direct quote, the Los Angeles Times article said: …said the director, who’s converting the blockbuster into 3-D for re-release in April 2012, the 100th anniversary of the ship’s sinking. The date makes sense as the RMS Titanic set off on April 10, 1912 and struck an iceberg and sank on April 14…

YouTube is joining world famous filmmakers Ridley Scott and Kevin Macdonald in asking people around to world to create the first user-generated feature-length documentary film shot on a single day – July 24, 2010. LIFE IN A DAY is a historic global film experiment that enlists the global community to capture a moment of their lives on Saturday, July 24 and to upload that footage to Academy Award-winning director Kevin Macdonald (State of Play, Last King of Scotland, Touching the Void) will direct, bringing together the most compelling footage into a feature-length documentary film. The project will be executive produced by Ridley Scott (Robin Hood, Gladiator, Black Hawk Down) and produced by his company Scott Free Productions. Individuals whose footage makes it into the finished film will be credited as co-directors and 20 of these contributors will be flown to the 2011 Sundance Film Festival for the film’s world premiere…


The trailer for LET ME IN, the American remake of the fantastic Swedish vampire film “Let the Right One In,” has hit the Internet. Directed by Matt Reeves (“Cloverfield”), the film stars Chloe Moretz (“Kick-Ass”) as a bloodsucker. There is no way it will be as good as the original:


THE TWILIGHT SAGA: ECLIPSE is breaking all kinds of box-office records, and with good reason: it’s arguably the most entertaining live action Hollywood film this summer. With its slick camerawork from an edgier director (David Slade of “Hard Candy” fame), robust character development and tongue-in-cheek attitude, it’s the best “Twilight” film to date and a fun way to spend two hours in an air-conditioned room…

…Until next week!